The street offers an inexhaustible stage for photography. Everyday situations, unexpected gestures, encounters, silences and scenes that can be dramatic, comic or deeply human all coexist within it. Precisely this abundance is, for me, the greatest challenge of this genre: deciding where to pause my gaze among everything that is happening. I believe street photography demands that you remain alert and receptive. Very often, a moment appears and disappears in barely a second. Having a camera is important, but even more important is maintaining your attention and being ready to react when that unique moment presents itself.

When I take photographs in the street, I try to be present without intruding, observing without hurry the moments that surprise me. Behind each of those moments there is a story that we will never fully know and can only imagine. On the street, nothing is ever repeated. Every step, every gesture and every glance is unique, and recognising those moments fills me with enthusiasm. The street needs no stage because it is itself both the story and the protagonist. For me, street photography is an exercise in attention, discretion and empathy. My intention is to point to moments that deserve to hold our gaze. I walk attentively, waiting for a gesture, a movement or a coincidence to reveal something that deserves to remain.